18 : 30 | Ahmedabad
Join us for a talk ‘๐๐๐ฒ๐น๐น๐๐ป๐ด๐ฒ; ๐ฑ๐ฒ๐น๐ฎ๐, ๐ฐ๐ผ๐ป๐๐ถ๐ป๐๐ฎ๐ป๐ฐ๐ฒ, ๐ฎ๐ฏ๐ผ๐ฑ๐ฒ’ by ๐๐ฎ๐ฟ๐บ๐ผ๐ป๐ ๐ฆ๐ถ๐ด๐ฎ๐ป๐ฝ๐ผ๐ฟ๐ถ๐ฎ. The session is in the context of the ongoing exhibition, โ๐๐ฎ๐ป๐ฑ๐ต๐ถโ๐ ๐๐๐ฒ๐น๐น๐ถ๐ป๐ดโ
๐๐๐ง๐๐๐๐ฆ:
๐๐ฎ๐๐ฒ: ๐ฌ๐ต ๐ก๐ผ๐๐ฒ๐บ๐ฏ๐ฒ๐ฟ ๐ฎ๐ฌ๐ฎ๐ฐ | ๐ฆ๐ฎ๐๐๐ฟ๐ฑ๐ฎ๐
๐ง๐ถ๐บ๐ฒ: ๐ฒ.๐ฏ๐ฌ ๐ฝ๐บ ๐ผ๐ป๐๐ฎ๐ฟ๐ฑ๐
How does one trouble the idea of the built as being coextensive with the idea of the permanent? By recognising the long history of movement as the norm, and the โcontinuanceโ of the abode as an interruption to it. To โdwell onโ is to linger over; to delay; to, ultimately, from this delay or continuance, lay roots that grow into what situated societies recognise as dwellings. But as with most binaries (think ecological/developmental; rural/urban; to dwell/ to move) Gandhi is a queering figure who cannot โ will not โ be held in one place any more than he will be found in exclusively one position: It has been held by some, for example, that the marching phalanx of the Dandi March was a moving ashram. In this conversation, we will explore what we talk about when we talk about walking in Gandhiโs scheme of things, attendant to the built-in room for pause, continuance, for the possibility of โabodesโ, even, offered to him by the fact of these movements.
๐๐ฎ๐ฟ๐บ๐ผ๐ป๐ ๐ฆ๐ถ๐ด๐ฎ๐ป๐ฝ๐ผ๐ฟ๐ถ๐ฎ is an Associate Professor in the area of Culture and Communication at MICA. She focuses on modern Indian history, with an emphasis on decoding the Gujarat story. She is also a practicingย musician.
๐๐ฎ๐ป๐ฑ๐ต๐ถโ๐ ๐๐๐ฒ๐น๐น๐ถ๐ป๐ด is an exhibition emerging from the book โGandhiโs Placesโ edited by Neelkanth Chhaya, Tridip Suhrud and Riyaz Tayyibji, published by the Sabarmati Ashram Preservation and Memorial Trust and a result of the Gandhi Heritage Sites Mission architectural documentation project initiated by the Ministry of Culture, Government of India.
Venue: Arthshila Ahmedabad
2-G, opposite Ahmedabad Management Association, Panjrapol, Ambawadiย –ย 380015.